A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

Liminality is the quiet interval before form, a space of suspension where thought begins to take shape. It is the process of becoming, where idea, emotion, and intuition align. Within this threshold, the artist works not toward resolution but toward revelation. Each gesture, each return to the surface, moves between intent and surrender.

The Infinite, in contrast, is an expansion. Vastness unfolds here not as distance, but as endurance, as the act of making extends beyond the maker and enters the realm of reflection and experience.

Liminality and the Infinite brings together artists from across Asia whose works explore illumination not merely as a visual phenomenon but as a state of transcendence. 

The curation inhabits the threshold between presence and absence, perception and awareness, where art becomes a quiet crossing between matter and consciousness. Traversing abstraction, figuration, and immersive experience, these practices consider how emotion, rhythm, and memory guide the spirit to the infinite light. Each creation dissolves the distance between the sensory and the contemplative, the ancient and the contemporary, reaching forward to a boundless definition. 

Within this continuum, light moves through material and shape, expanding rather than resolving. The infinite reveals itself through continuity — in how art lives on through perception, time, and reflection.

Liminality is the quiet interval before form, a space of suspension where thought begins to take shape. It is the process of becoming, where idea, emotion, and intuition align. Within this threshold, the artist works not toward resolution but toward revelation. Each gesture, each return to the surface, moves between intent and surrender.

The Infinite, in contrast, is an expansion. Vastness unfolds here not as distance, but as endurance, as the act of making extends beyond the maker and enters the realm of reflection and experience.

Liminality and the Infinite brings together artists from across Asia whose works explore illumination not merely as a visual phenomenon but as a state of transcendence. 

The curation inhabits the threshold between presence and absence, perception and awareness, where art becomes a quiet crossing between matter and consciousness. Traversing abstraction, figuration, and immersive experience, these practices consider how emotion, rhythm, and memory guide the spirit to the infinite light. Each creation dissolves the distance between the sensory and the contemplative, the ancient and the contemporary, reaching forward to a boundless definition. 

Within this continuum, light moves through material and shape, expanding rather than resolving. The infinite reveals itself through continuity — in how art lives on through perception, time, and reflection.

Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view
Liminality and the Infinite, exhibition view

Artworks Exhibited

Answering a Ticklish Question by TARINI SETHI

Answering a Ticklish Question

Stainless Steel

3.334 x 5.812 Feet

2024

Answering a Ticklish Question by TARINI SETHI

Answering a Ticklish Question

Stainless Steel

3.334 x 5.812 Feet

2024

Answering a Ticklish Question by TARINI SETHI

Answering a Ticklish Question

Stainless Steel

3.334 x 5.812 Feet

2024

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1 by JONGSOOK KIM

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1

Mixed media & Sworovski'cut crystal

130.3 x 194.4 cm x 3 cm

2022

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1 by JONGSOOK KIM

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1

Mixed media & Sworovski'cut crystal

130.3 x 194.4 cm x 3 cm

2022

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1 by JONGSOOK KIM

ARTIFICIAL LANDSCAPE-Golden Picture_Rose 1

Mixed media & Sworovski'cut crystal

130.3 x 194.4 cm x 3 cm

2022

Button Flower_Orange by SHUN SUDO

Button Flower_Orange

Silkscreen

80 x 80 cm

2022

Button Flower_Orange by SHUN SUDO

Button Flower_Orange

Silkscreen

80 x 80 cm

2022

Button Flower_Orange by SHUN SUDO

Button Flower_Orange

Silkscreen

80 x 80 cm

2022

Button Flower_Yellow by SHUN SUDO

Button Flower_Yellow

Silkscreen

80 x 80 cm

2022

Button Flower_Yellow by SHUN SUDO

Button Flower_Yellow

Silkscreen

80 x 80 cm

2022

Button Flower_Yellow by SHUN SUDO

Button Flower_Yellow

Silkscreen

80 x 80 cm

2022

Cosmic Mother of the Universe by PANNAPHAN YODMANEE

Cosmic Mother of the Universe

Mixed media on canvas

100 x 120 cm

2025

Cosmic Mother of the Universe by PANNAPHAN YODMANEE

Cosmic Mother of the Universe

Mixed media on canvas

100 x 120 cm

2025

Cosmic Mother of the Universe by PANNAPHAN YODMANEE

Cosmic Mother of the Universe

Mixed media on canvas

100 x 120 cm

2025

Five Degrees from Equilibrium  by HARSHA DURUGADDA

Five Degrees from Equilibrium

Sandstone and Granite

119.4 x 50.8 x 40.7 cm

2025

Five Degrees from Equilibrium  by HARSHA DURUGADDA

Five Degrees from Equilibrium

Sandstone and Granite

119.4 x 50.8 x 40.7 cm

2025

Five Degrees from Equilibrium  by HARSHA DURUGADDA

Five Degrees from Equilibrium

Sandstone and Granite

119.4 x 50.8 x 40.7 cm

2025

Harmonic Precipitation by RUBEN PANG

Harmonic Precipitation

Oil, alkyd and synthetic varnish on aluminum composite panel

100 x 80 cm

2024

Harmonic Precipitation by RUBEN PANG

Harmonic Precipitation

Oil, alkyd and synthetic varnish on aluminum composite panel

100 x 80 cm

2024

Harmonic Precipitation by RUBEN PANG

Harmonic Precipitation

Oil, alkyd and synthetic varnish on aluminum composite panel

100 x 80 cm

2024

Hikari: Indigo by GOMA

Hikari: Indigo

Acrylic On Canvas

140 x 140 cm

2024

Hikari: Indigo by GOMA

Hikari: Indigo

Acrylic On Canvas

140 x 140 cm

2024

Hikari: Indigo by GOMA

Hikari: Indigo

Acrylic On Canvas

140 x 140 cm

2024

It Didn't Happen Overnight by TARINI SETHI

It Didn't Happen Overnight

Stainless Steel

4.156 x 6.4 Feet

2024

It Didn't Happen Overnight by TARINI SETHI

It Didn't Happen Overnight

Stainless Steel

4.156 x 6.4 Feet

2024

It Didn't Happen Overnight by TARINI SETHI

It Didn't Happen Overnight

Stainless Steel

4.156 x 6.4 Feet

2024

Loud Whispers Brought Them Here by TARINI SETHI

Loud Whispers Brought Them Here

Stainless Steel

3.048 x 5.633 Feet

2024

Loud Whispers Brought Them Here by TARINI SETHI

Loud Whispers Brought Them Here

Stainless Steel

3.048 x 5.633 Feet

2024

Loud Whispers Brought Them Here by TARINI SETHI

Loud Whispers Brought Them Here

Stainless Steel

3.048 x 5.633 Feet

2024

Matriarch/Mashal  by PANNAPHAN YODMANEE

Matriarch/Mashal

Mixed Media on canvas

200 x 160 cm

2025

Matriarch/Mashal  by PANNAPHAN YODMANEE

Matriarch/Mashal

Mixed Media on canvas

200 x 160 cm

2025

Matriarch/Mashal  by PANNAPHAN YODMANEE

Matriarch/Mashal

Mixed Media on canvas

200 x 160 cm

2025

Minerva A Woven Storm by RUBEN PANG

Minerva A Woven Storm

Oil, alkyd and dammar varnish on aluminum composite panel

80 x 100 cm

2024

Minerva A Woven Storm by RUBEN PANG

Minerva A Woven Storm

Oil, alkyd and dammar varnish on aluminum composite panel

80 x 100 cm

2024

Minerva A Woven Storm by RUBEN PANG

Minerva A Woven Storm

Oil, alkyd and dammar varnish on aluminum composite panel

80 x 100 cm

2024

Morning Cloud (Asagumo) by MIYA ANDO

Morning Cloud (Asagumo)

Ink On Aluminum Composite

125.73 × 125.73 x 5.08 cm

2025

Morning Cloud (Asagumo) by MIYA ANDO

Morning Cloud (Asagumo)

Ink On Aluminum Composite

125.73 × 125.73 x 5.08 cm

2025

Morning Cloud (Asagumo) by MIYA ANDO

Morning Cloud (Asagumo)

Ink On Aluminum Composite

125.73 × 125.73 x 5.08 cm

2025

N.E.W 06 by SHUN SUDO

N.E.W 06

Oil and oil stick on canvas

90 × 90 cm

2025

N.E.W 06 by SHUN SUDO

N.E.W 06

Oil and oil stick on canvas

90 × 90 cm

2025

N.E.W 06 by SHUN SUDO

N.E.W 06

Oil and oil stick on canvas

90 × 90 cm

2025

Origin of Desire -1 am in joy- by MARI ITO

Origin of Desire -1 am in joy-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Origin of Desire -1 am in joy- by MARI ITO

Origin of Desire -1 am in joy-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Origin of Desire -1 am in joy- by MARI ITO

Origin of Desire -1 am in joy-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Origin of Desire -happiness- by MARI ITO

Origin of Desire -happiness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

50 × 61 cm

2025

Origin of Desire -happiness- by MARI ITO

Origin of Desire -happiness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

50 × 61 cm

2025

Origin of Desire -happiness- by MARI ITO

Origin of Desire -happiness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

50 × 61 cm

2025

Origin of Desire -I am in kindness- by MARI ITO

Origin of Desire -I am in kindness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Origin of Desire -I am in kindness- by MARI ITO

Origin of Desire -I am in kindness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Origin of Desire -I am in kindness- by MARI ITO

Origin of Desire -I am in kindness-

Wood panel, Japanese paper Oguni washi, pigment, sumi, nikawa glue

116 × 89cm

2025

Saihate no Hakira: The Farthest Light by GOMA

Saihate no Hakira: The Farthest Light

Acrylic on canvas

100 x 100 cm

2025

Saihate no Hakira: The Farthest Light by GOMA

Saihate no Hakira: The Farthest Light

Acrylic on canvas

100 x 100 cm

2025

Saihate no Hakira: The Farthest Light by GOMA

Saihate no Hakira: The Farthest Light

Acrylic on canvas

100 x 100 cm

2025

Saihate no Hikari: The Farthest Light by GOMA

Saihate no Hikari: The Farthest Light

Acrylic on canvas

140 x 140 cm

2025

Saihate no Hikari: The Farthest Light by GOMA

Saihate no Hikari: The Farthest Light

Acrylic on canvas

140 x 140 cm

2025

Saihate no Hikari: The Farthest Light by GOMA

Saihate no Hikari: The Farthest Light

Acrylic on canvas

140 x 140 cm

2025

Soft On Their Feet by TARINI SETHI

Soft On Their Feet

Stainless Steel

3.363 x 5.8 Feet

2024

Soft On Their Feet by TARINI SETHI

Soft On Their Feet

Stainless Steel

3.363 x 5.8 Feet

2024

Soft On Their Feet by TARINI SETHI

Soft On Their Feet

Stainless Steel

3.363 x 5.8 Feet

2024

Staying in Time by MOTOI YAMAMOTO

Staying in Time

Acrylic on wooden panel

174 x 52 x 3 cm

2024

Staying in Time by MOTOI YAMAMOTO

Staying in Time

Acrylic on wooden panel

174 x 52 x 3 cm

2024

Staying in Time by MOTOI YAMAMOTO

Staying in Time

Acrylic on wooden panel

174 x 52 x 3 cm

2024

The Frenzy We See by TARINI SETHI

The Frenzy We See

Stainless Steel

3.094 x 5.2 Feet

2024

The Frenzy We See by TARINI SETHI

The Frenzy We See

Stainless Steel

3.094 x 5.2 Feet

2024

The Frenzy We See by TARINI SETHI

The Frenzy We See

Stainless Steel

3.094 x 5.2 Feet

2024