A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

A quiet interval before form, a space of suspension where thought begins to take shape. Within this threshold, the artist seeks revelation over resolution, each gesture moving between intent and surrender.

Liminality is the quiet interval before form, a space of suspension where thought begins to take shape. It is the process of becoming, where idea, emotion, and intuition align. Within this threshold, the artist works not toward resolution but toward revelation. Each gesture, each return to the surface, moves between intent and surrender.

The Infinite, in contrast, is an expansion. Vastness unfolds here not as distance, but as endurance, as the act of making extends beyond the maker and enters the realm of reflection and experience.

Liminality and the Infinite brings together artists from across Asia whose works explore illumination not merely as a visual phenomenon but as a state of transcendence. 

The curation inhabits the threshold between presence and absence, perception and awareness, where art becomes a quiet crossing between matter and consciousness. Traversing abstraction, figuration, and immersive experience, these practices consider how emotion, rhythm, and memory guide the spirit to the infinite light. Each creation dissolves the distance between the sensory and the contemplative, the ancient and the contemporary, reaching forward to a boundless definition. 

Within this continuum, light moves through material and shape, expanding rather than resolving. The infinite reveals itself through continuity — in how art lives on through perception, time, and reflection.

Liminality is the quiet interval before form, a space of suspension where thought begins to take shape. It is the process of becoming, where idea, emotion, and intuition align. Within this threshold, the artist works not toward resolution but toward revelation. Each gesture, each return to the surface, moves between intent and surrender.

The Infinite, in contrast, is an expansion. Vastness unfolds here not as distance, but as endurance, as the act of making extends beyond the maker and enters the realm of reflection and experience.

Liminality and the Infinite brings together artists from across Asia whose works explore illumination not merely as a visual phenomenon but as a state of transcendence. 

The curation inhabits the threshold between presence and absence, perception and awareness, where art becomes a quiet crossing between matter and consciousness. Traversing abstraction, figuration, and immersive experience, these practices consider how emotion, rhythm, and memory guide the spirit to the infinite light. Each creation dissolves the distance between the sensory and the contemplative, the ancient and the contemporary, reaching forward to a boundless definition. 

Within this continuum, light moves through material and shape, expanding rather than resolving. The infinite reveals itself through continuity — in how art lives on through perception, time, and reflection.

Artworks Exhibited