


MOTOI YAMAMOTO
B. 1966
Based
Japan
Based
Japan
Based
Japan
Education
Kanazawa College of Art
Education
Kanazawa College of Art
Education
Kanazawa College of Art
Represented
Exclusively In India
Represented
Exclusively In India
Represented
Exclusively In India
Medium
Installations, Paintings, Drawings
Medium
Installations, Paintings, Drawings
Medium
Installations, Paintings, Drawings
Motoi Yamamoto transforms salt, memory, and ritual into ephemeral landscapes that meditate on loss, impermanence, and renewal.
Motoi Yamamoto transforms salt, memory, and ritual into ephemeral landscapes that meditate on loss, impermanence, and renewal.
Born in Onomichi in 1966 and based in Kanazawa, Motoi Yamamoto is a Japanese artist whose practice spans installation, painting, and drawing. For over thirty years, Yamamoto has developed a practice that uses salt as its central medium, beginning after the loss of his younger sister and evolving into intricate labyrinths and patterns that serve as acts of remembrance and reflections on time. These ephemeral works, meticulously poured grain by grain, have been exhibited internationally at institutions such as MoMA PS1 in New York, the Hermitage State Museum in St. Petersburg, the Museum of Contemporary Art Tokyo, and the Setouchi Triennale. In the United States, his traveling exhibition Return to the Sea: Saltworks introduced audiences to the ritualistic creation and dismantling of his installations, where the salt is ceremonially returned to the ocean.
Born in Onomichi in 1966 and based in Kanazawa, Motoi Yamamoto is a Japanese artist whose practice spans installation, painting, and drawing. For over thirty years, Yamamoto has developed a practice that uses salt as its central medium, beginning after the loss of his younger sister and evolving into intricate labyrinths and patterns that serve as acts of remembrance and reflections on time. These ephemeral works, meticulously poured grain by grain, have been exhibited internationally at institutions such as MoMA PS1 in New York, the Hermitage State Museum in St. Petersburg, the Museum of Contemporary Art Tokyo, and the Setouchi Triennale. In the United States, his traveling exhibition Return to the Sea: Saltworks introduced audiences to the ritualistic creation and dismantling of his installations, where the salt is ceremonially returned to the ocean.









Yamamoto’s use of salt, a substance tied to purification and remembrance in Japanese culture, reflects his belief that it carries the “memory of life.” His works unfold as meditative acts, balancing endurance and fragility, and conclude in communal rituals that emphasize impermanence and renewal. Alongside these installations, he extends his motifs into acrylic, pencil, and mixed-media drawings, where raised lines and delicate details echo the patterns of his saltscapes in more permanent forms. Through collaborations and exhibitions across Japan, Europe, and the United States, Yamamoto continues to merge personal grief with universal symbolism, transforming loss into visual poetry. His practice invites viewers to confront the fleeting nature of existence while finding continuity in the collective act of remembrance.
Yamamoto’s use of salt, a substance tied to purification and remembrance in Japanese culture, reflects his belief that it carries the “memory of life.” His works unfold as meditative acts, balancing endurance and fragility, and conclude in communal rituals that emphasize impermanence and renewal. Alongside these installations, he extends his motifs into acrylic, pencil, and mixed-media drawings, where raised lines and delicate details echo the patterns of his saltscapes in more permanent forms. Through collaborations and exhibitions across Japan, Europe, and the United States, Yamamoto continues to merge personal grief with universal symbolism, transforming loss into visual poetry. His practice invites viewers to confront the fleeting nature of existence while finding continuity in the collective act of remembrance.
Artist CV
Artist CV
Artist CV
Artwork Showcase

Staying in Time
Acrylic on wooden panel
174 x 52 x 3 cm
2024

Staying in Time 2
Acrylic and gold foil on wooden panel
162 x 130.3 x 3 cm
2024

Staying in Time
Acrylic on wooden panel
174 x 52 x 3 cm
2024

Staying in Time 2
Acrylic and gold foil on wooden panel
162 x 130.3 x 3 cm
2024

Staying in Time
Acrylic on wooden panel
174 x 52 x 3 cm
2024

Staying in Time 2
Acrylic and gold foil on wooden panel
162 x 130.3 x 3 cm
2024
Exhibition Showcase


