Yodmanee’s work reflects on time, memory, and impermanence through cosmology and myth, bridging Buddhist traditions with global references, including Western biblical imagery. Her installation Aftermath (Singapore Biennale, 2016), awarded the 11th Benesse Prize, epitomized her vision of cyclical destruction and rebirth, while later works such as The Last Day (2018) and Quarterly Myth (2019, Lyon Biennale) expanded her exploration of faith’s endurance in fragile worlds. Today, her works are held in major collections including the Singapore Art Museum, Queensland Art Gallery, and Yuz Museum. Through this synthesis of sacred painting techniques and contemporary detritus, Yodmanee creates contemplative compositions that are at once archaeological and visionary, inviting reflection on spirituality in a time of constant change.