Pang resists binaries in genres such as ‘abstraction’ and ‘figuration’ and embraces both experimental and traditional approaches, often combining both within the same painting. A sensitivity to superficial finish is characteristic of his work. Working without a preconceived image of the final composition, his approach allows the imagery to surface spontaneously; a “visual syncopation, like searching for a melody in white noise”. Pang treats the creative process as an adventure, with a narrative arc and conflict. Painting distilled from a creative journey is a life within itself and offers a world to the world. His recent exhibitions include Medea at Antico Mercato di Ortigia, Italy (2023); Contemporary Chaos at Vestfossen Kunstlaboratorium, Norway; Meccaniche della Meraviglia at MO.CA, Brescia (2018); and The Figure in Process: De Kooning to Kapoor at the Paul Allen Brain Institute, Seattle (2015). His works Fear of Lying (2020) and Type 0 Civilization (2018) are part of the Singapore Art Museum’s collection. Pang received the Georgette Chen Arts Scholarship (2009–2010) and the Winston Oh Travelogue Award (2010).