A British-Indian artist working across painting, ink, and metalwork, she draws on philosophies within Chinese landscape painting, particularly its understanding of landscape as something to be experienced beyond physical observation. In her work, she approaches nature as a shifting sensorial space, where external environments and internal states converge. Her paintings emerge through an intuitive engagement with gesture, colour, and movement, giving physical form to experiences that resist verbal articulation. Rather than reproducing the world around her, she responds to the sensations it evokes, allowing images to take shape through an interplay of observation and instinct.