Light in this exhibition is not seen as a singularity, but rather dismantled into operative components. It moves through architectures and bodies, ricocheting off surfaces and skin, reorganising how space is apprehended and inhabited.

The works operate within the dictates of rigorous engineering while remaining deeply affective; at the same time, they produce moments of leaks and slippages—hallucinating and speculating. Within these calibrated systems appear deliberately exposed infrastructures, choreographing a tension between what is seen and what is missed.

These are the in-betweens where inheritances, recollections, and speculations begin to unravel. They surface obliquely, carried in shadows, reflections, and afterimages. It is within these instabilities—where machines, humans, and the forces between them entangle—that they begin to function as carriers of histories, memories, and futures.