


KENJI YANOBE
B. 1965
Based
Japan
Based
Japan
Based
Japan
Education
Kyoto City University of Arts, 1989 – Majored in Sculpture; Royal College of Art, England; Graduate School of Kyoto City University of Arts, 1991
Education
Kyoto City University of Arts, 1989 – Majored in Sculpture; Royal College of Art, England; Graduate School of Kyoto City University of Arts, 1991
Education
Kyoto City University of Arts, 1989 – Majored in Sculpture; Royal College of Art, England; Graduate School of Kyoto City University of Arts, 1991
Represented
Exclusively In India
Represented
Exclusively In India
Represented
Exclusively In India
Medium
Installations, Sculptures
Medium
Installations, Sculptures
Medium
Installations, Sculptures
Through sculptures and spectacle, Kenji Yanobe has shaped Japan’s contemporary art landscape for over three decades.
Through sculptures and spectacle, Kenji Yanobe has shaped Japan’s contemporary art landscape for over three decades.
Born in Osaka in 1965 and based in Kyoto, Kenji Yanobe is a leading figure in Japanese contemporary art, known for monumental sculptures and installations that merge pop culture with social critique. Since his debut in 1990, his practice has spanned sculpture, installation, film, and theatre, drawing inspiration from Expo ’70’s abandoned utopias and the cultural imagination of manga and tokusatsu. Iconic works such as Sun Child (2011) reflect his shift from survivalist anxieties toward messages of renewal and hope. Yanobe also serves as Professor at Kyoto University of the Arts, and as the Director of ‘Ultra Factory,’ fostering collaborative production and mentoring new generations of artists.
Born in Osaka in 1965 and based in Kyoto, Kenji Yanobe is a leading figure in Japanese contemporary art, known for monumental sculptures and installations that merge pop culture with social critique. Since his debut in 1990, his practice has spanned sculpture, installation, film, and theatre, drawing inspiration from Expo ’70’s abandoned utopias and the cultural imagination of manga and tokusatsu. Iconic works such as Sun Child (2011) reflect his shift from survivalist anxieties toward messages of renewal and hope. Yanobe also serves as Professor at Kyoto University of the Arts, and as the Director of ‘Ultra Factory,’ fostering collaborative production and mentoring new generations of artists.









Since 2017, Yanobe has developed the Ship’s Cat series, reimagining guardian felines of seafaring lore as protectors for humanity’s future journeys. The form of a cat clad in futuristic gear, these works embody optimism and guidance, their luminous eyes serving as beacons through uncertainty. Exhibited around the world, the Ship’s Cats have become cultural icons bridging folklore and future aspiration. Through this series, Yanobe transforms fear into playful resilience, positioning art as a guide and companion toward collective imagination.
Since 2017, Yanobe has developed the Ship’s Cat series, reimagining guardian felines of seafaring lore as protectors for humanity’s future journeys. The form of a cat clad in futuristic gear, these works embody optimism and guidance, their luminous eyes serving as beacons through uncertainty. Exhibited around the world, the Ship’s Cats have become cultural icons bridging folklore and future aspiration. Through this series, Yanobe transforms fear into playful resilience, positioning art as a guide and companion toward collective imagination.
Artist CV
Artist CV
Artist CV
Artwork Showcase

Black Urushi: Brining A Fortune
Stainless steel, FRP, Acrylic
50.5 x 41 x 18 cm (Art Piece) | 6 x 30 x 30 cm (Pedestal)
2023

Black Urushi: Brining A Fortune
Stainless steel, FRP, Acrylic
50.5 x 41 x 18 cm (Art Piece) | 6 x 30 x 30 cm (Pedestal)
2023

Black Urushi: Brining A Fortune
Stainless steel, FRP, Acrylic
50.5 x 41 x 18 cm (Art Piece) | 6 x 30 x 30 cm (Pedestal)
2023

